Bringing together the characters of Unbreakable (2000) and Split (2016), Glass is the final chapter in M. Night Shyamalan’s unlikely superhero trilogy, nineteen years in the making. Despite some minor narrative issues, Glass delivers the superhero thrills you’d expect, while also offering a lot more depth than the average comic book film.
The Transformers franchise has, for a long time, been a joke among film lovers. While the films are entertaining enough, they are some of the worst written films of recent years, saved only by their pioneering CGI effects. Bumblebee, the latest in the series, has taken clever steps to ensure the characters are more important than giant metal creatures smashing together. Though it still doesn’t quite work, if you’re a fan of Transformers and The Iron Giant then this is the perfect film for you.
Produced by Peter Jackson, Mortal Engines is a film about giant cities on wheels that drive around and attack one another. While the bizarre concept is perfect Peter Jackson territory, this fantasy adaptation spoils its fantastic special effects with a cliché screenplay, poor performances and a lack of interesting personality.
Re-releasing Deadpool 2 as a PG-13 festive comedy sounded like a fun idea. Marketing showed Deadpool kidnapping Fred Savage before reading him the bedtime story of Deadpool 2 in a running joke about the premise of The Princess Bride. This interesting premise did not work, and in fact was just a shameless money maker that … Continue reading Festive Re-Release is a Cynical Flop (Once Upon a Deadpool review)
It’s always going to be a bold claim to make after the hugely successful Infinity War coming out, but Spider-Man: Into the Spider-Verse is the best superhero movie of 2018. Infinity War, with it’s exciting scenes and bold ending, was still fairly by the numbers. Huge CGI action and a dreadful subplot about Thor’s axe brought it down in my rankings. This, however, is such a powerful film, with amazing humour, incredible design and heartbreaking emotion.
Robin Hood is one of the most iconic tales in British Folklore. This latest adaptation steals from the rich source material to deliver another tale of the poor rising against the powerful. Ditching the tights and feathered hat, this reboot delivers a gritty origin story which massively favours style over substance.
Based on the hugely successful Swedish thriller novels, ‘The Girl in The Spiders Web’ is the latest adaptation of Lisbeth Salander’s adventures. The first in the series, ‘The Girl with The Dragon Tattoo’, opened in 2011 and was directed by David Fincher. A stunningly powerful piece, it set a towering bar that unfortunately is not met by this by-the-numbers action thriller.
I must preface this review by saying that I am not a ‘Potterhead’. I like the original Potter films, I think they’re perfectly fine. I was NOT, however, a fan of Fantastic Beasts and Where to Find Them, the first prequel in J. K. Rowling’s ‘Wizarding World’. I found it boring, lacking in story and favouring style very much over substance. It’s with surprise that I announce this latest film is actually even worse, and highlights a lot of major issues in Hollywood’s Franchise-Saturated market.
‘Widows’ has a ridiculous caliber of talent behind it. It’s directed by Steve McQueen, Oscar winning director of 12 Years a Slave. It’s written by Gillian Flynn, author and screenwriter of ‘Gone Girl’. It stars (among many others) Viola Davis, Elizabeth Debicki, Colin Farrell, Daniel Kaluuya and Liam Neeson, and has music by Hans Zimmer. It’s no surprise that with this amount of talent, a great film has been made. However, it does sometimes miss the heights of which it promises.
Gerard Butler hasn’t got a great track record for film making. While his films are generally enjoyable, they are on a critical level often quite shallow and badly done. Unfortunately, Hunter Killer is another example of this, as the submarine thriller begins to sink.