In an age where sexual harassment is finally beginning to be addressed in the highest places, ‘Bombshell’ tells the accounts of several women at Fox News who set out to expose CEO Roger Ailes for misconduct. Shot like a documentary, it’s a film that is stylistically reminiscent of last years ‘Vice’, though it’s not quite … Continue reading “Someone has to speak up. Someone has to get mad…” (Bombshell review)
After practicing with the opening sequence of Spectre, director Sam Mendes brings us a relentless WWI film that appears to all take place in one shot. A breathtakingly visceral film, it proves what an accomplished voice in cinema Sam Mendes is.
Joining the likes of ‘The Producers’ and ‘The Great Dictator’, ‘Jojo Rabbit’ is that rarefied comedy that decides to tackle Hitler and the Nazi’s. Despite it being a dangerously easy topic to make a wrong step with, director Taika Waititi has created another film that perfectly walks the line between comedy and emotion without ever causing offence in the wrong way.
In Olivia Wilde’s debut as a feature director, Booksmart is that rare teen comedy that does more than tell a couple of sex jokes about apple pies (too subtle?). Though the film is not as emotionally rich as ‘Eighth Grade’, it still remains a tightly crafted, acutely observed and down-right hilarious coming-of-age comedy.
Years in the making and decades in the narrative, The Irishman (titled onscreen as “I Heard You Paint Houses”) is Martin Scorsese’s latest epic crime drama, telling the life and confessions of Frank “The Irishman” Sheeran. Though it doesn’t feel it’s 3 ½ hour run time and the drama is beefy enough to fill it, it also never feels like enough excitement or emotion occurs within the film to justify it’s length.
From Bill Condon (director of Mr Holmes and Beauty and The Beast) comes The Good Liar, a dark crime thriller based on the novel of the same name by Nicholas Searle. With an intriguing but weird story, this film walks dangerously close to mediocrity and is only saved by two fantastic performances.
From director Paul Feig and writer Emma Thompson comes a charming festive rom-com that the title sequence brags is “based on George Michael’s eponymous song”. With great performances but a cliché story, it’s a fun film that fails to fully give cheer to someone special.
After playing Dick Chaney in Vice, Christian Bale has now lost all that weight to star alongside Matt Damon in a film about racing. You’ve gotta love Bale for his diversity in choosing projects, but he clearly has a keen eye for greatness because this film, which sports some phenomenal racing sequences, is absolutely fantastic.
The press running up to the release of Joker has been plagued with two stories. One is critical acclaim from festivals and reviews alike, claiming it to be the greatest film of the year. The other story is the fear that the film actively promotes violence, anti-social behaviour, toxic masculinity and sympathises with the criminally … Continue reading A Dark, Daring and Disturbing Descent into Madness (Joker review)
In 2019’s answer to the endless popularity of Space Exploration films, ‘Ad Astra’ presents a poetic narrative that wouldn’t be out of place in ‘2001’. In Brad Pitt’s second film of the year, he voyages away from 1969 and into the near distant future to tell a story of hope, determination and fatherhood.