In an age where sexual harassment is finally beginning to be addressed in the highest places, ‘Bombshell’ tells the accounts of several women at Fox News who set out to expose CEO Roger Ailes for misconduct. Shot like a documentary, it’s a film that is stylistically reminiscent of last years ‘Vice’, though it’s not quite … Continue reading “Someone has to speak up. Someone has to get mad…” (Bombshell review)
After practicing with the opening sequence of Spectre, director Sam Mendes brings us a relentless WWI film that appears to all take place in one shot. A breathtakingly visceral film, it proves what an accomplished voice in cinema Sam Mendes is.
Years in the making and decades in the narrative, The Irishman (titled onscreen as “I Heard You Paint Houses”) is Martin Scorsese’s latest epic crime drama, telling the life and confessions of Frank “The Irishman” Sheeran. Though it doesn’t feel it’s 3 ½ hour run time and the drama is beefy enough to fill it, it also never feels like enough excitement or emotion occurs within the film to justify it’s length.
From Bill Condon (director of Mr Holmes and Beauty and The Beast) comes The Good Liar, a dark crime thriller based on the novel of the same name by Nicholas Searle. With an intriguing but weird story, this film walks dangerously close to mediocrity and is only saved by two fantastic performances.
Rian Johnson is one of the hottest filmmakers of recent years. His take on Star Wars with ‘The Last Jedi’ utterly divided critics and fans, as he proved he could do something different with the seemingly formulaic nature of the franchise. With his new film Knives Out, he again proves a master of subversion, this time taking on the murder mystery genre.
The Shining is widely regarded as one of the greatest horror films ever made (and has always been a firm favourite of mine). In 2013, Steven King (author of the original) wrote a sequel, and this is that adaptation. A sequel to the Kubrick masterpiece but still a film of it’s own, it’s a love letter to the original with enough scares and twists to stand alone.
The press running up to the release of Joker has been plagued with two stories. One is critical acclaim from festivals and reviews alike, claiming it to be the greatest film of the year. The other story is the fear that the film actively promotes violence, anti-social behaviour, toxic masculinity and sympathises with the criminally … Continue reading A Dark, Daring and Disturbing Descent into Madness (Joker review)
In 2019’s answer to the endless popularity of Space Exploration films, ‘Ad Astra’ presents a poetic narrative that wouldn’t be out of place in ‘2001’. In Brad Pitt’s second film of the year, he voyages away from 1969 and into the near distant future to tell a story of hope, determination and fatherhood.
While other action films focus on grandeur, CGI spectacle and superheroes, the John Wick stands alone. Rising like a phoenix from the ashes of grey Michael Bay flicks, the John Wick franchise is one that focuses on action in its purest form. The third instalment of the franchise promises that its supreme reign is far from over, delivering all the thrilling, over the top action that we have come to expect.
Ever since Christopher Nolan moved on, DC have really struggled to make their movies work. From a bad start, to a dreadful middle and a strangely fishy end, their franchise so far has only delivered one great movie. Though Shazam! is probably the second-best film in the DCEU (DC Extended Universe) after Wonder Woman…it’s still not great.