“This is how I win…” (Uncut Gems review)

From the actor behind ‘Billy Maddison’, ‘Grown Ups 2’ and ‘Jack and Jill’ comes an unbelievable 180 degree-turn. Directed by The Safdie Brothers, 'Uncut Gems' is the breakout serious role Adam Sandler needed to put him back in the hearts of audiences and critics alike. Presented as a two-hour anxiety attack, the film is a … Continue reading “This is how I win…” (Uncut Gems review)

“Why’d Ya Spill Yer Beans?”(The Lighthouse review)

From Robert Egger, director of the acclaimed 2015 horror ‘The Witch’, comes a new terrifying horror: ‘The Lighthouse’. A classic tale of isolation and madness, it’s a Herman Melville inspired version of ‘The Shining’, with equally haunting results. In the late 19th century, Ephraim Winslow is sent to an isolated island off the coast of … Continue reading “Why’d Ya Spill Yer Beans?”(The Lighthouse review)

“Whoa, you’re that psycho chick…” (Birds of Prey and the Fantabulous Emancipation of One Harley Quinn review)

After the… disappointment (utter car crash) that was Suicide Squad, the best part of that movie finally has her own solo film. Margot Robbie brings the same chaotic energy as the movie’s title character, though the film’s title is far more complex than the final product itself. After the events of Suicide Squad (I think, … Continue reading “Whoa, you’re that psycho chick…” (Birds of Prey and the Fantabulous Emancipation of One Harley Quinn review)

“Someone has to speak up. Someone has to get mad…” (Bombshell review)

In an age where sexual harassment is finally beginning to be addressed in the highest places, ‘Bombshell’ tells the accounts of several women at Fox News who set out to expose CEO Roger Ailes for misconduct. Shot like a documentary, it’s a film that is stylistically reminiscent of last years ‘Vice’, though it’s not quite … Continue reading “Someone has to speak up. Someone has to get mad…” (Bombshell review)

“I Heard You Paint Houses” (The Irishman review)

Years in the making and decades in the narrative, The Irishman (titled onscreen as “I Heard You Paint Houses”) is Martin Scorsese’s latest epic crime drama, telling the life and confessions of Frank “The Irishman” Sheeran. Though it doesn’t feel it’s 3 ½ hour run time and the drama is beefy enough to fill it, it also never feels like enough excitement or emotion occurs within the film to justify it’s length.

A Dark, Daring and Disturbing Descent into Madness (Joker review)

The press running up to the release of Joker has been plagued with two stories. One is critical acclaim from festivals and reviews alike, claiming it to be the greatest film of the year. The other story is the fear that the film actively promotes violence, anti-social behaviour, toxic masculinity and sympathises with the criminally … Continue reading A Dark, Daring and Disturbing Descent into Madness (Joker review)