Tattoo removal might be needed (The Girl in The Spiders Web review)

Based on the hugely successful Swedish thriller novels, ‘The Girl in The Spiders Web’ is the latest adaptation of Lisbeth Salander’s adventures. The first in the series, ‘The Girl with The Dragon Tattoo’, opened in 2011 and was directed by David Fincher. A stunningly powerful piece, it set a towering bar that unfortunately is not met by this by-the-numbers action thriller.

The best female-led heist film of 2018 (Widows review)

‘Widows’ has a ridiculous caliber of talent behind it. It’s directed by Steve McQueen, Oscar winning director of 12 Years a Slave. It’s written by Gillian Flynn, author and screenwriter of ‘Gone Girl’. It stars (among many others) Viola Davis, Elizabeth Debicki, Colin Farrell, Daniel Kaluuya and Liam Neeson, and has music by Hans Zimmer. It’s no surprise that with this amount of talent, a great film has been made. However, it does sometimes miss the heights of which it promises.

The Grand Bloody-Mess Hotel (Bad Times at the El Royale review)

Drew Goddard, writer/director of 'Cabin in The Woods', is one of the highest regarded writers working at the moment. After scripting ‘World War Z’ and ‘The Martian’ (for which he was Oscar nominated), he returns to the director’s chair with his latest project, 'Bad Times at the El Royale'. After hitting us in the face with a darkly intriguing opening, Goddard takes the audience on a brilliantly entertaining and fantastically crafted journey of coincidence, misfortune and nasty occurrences.

A Sinister First Look at ‘Joker’ (2019)

Plans (and desires) for a standalone Joker movie have been rife for many years. Those plans will finally be coming to fruition in October of next year when Todd Phillips takes the directing and co-writing job on ‘Joker’ (catchy title). With Joaquin Phoenix’s first make-up test being released, I thought I’d look into what we know about what is already one of the most anticipated films of 2019.

Gripping thriller has viewers glued to the screens (Searching review)

When it was announced that Sony were producing a thriller film shot entirely on phone and laptop screens, I was initially skeptical. It seemed to be a gimmick that was being used as the next level of ‘found footage’ movies, like 'The Blair Witch Project' and 'Cloverfield'. How wrong I was, because this unique premise has been perfectly executed. Not since Gone Girl has there been such a deviously gripping thriller.