Like a Bat-Sh!t Film out of Hell (Hellboy review)

Hellboy is a comic book character created in 1993 by Mike Mignola. After two films by Guillermo del Toro, this R-rated reboot combines the brilliant design of the previous entries with bad language and an unbelievably excessive amount gore. Though it’s riddled with plot holes and story issues, the film is also confident to be utterly bonkers. By breaking the monotony of comic book adaptations to offer something different, you can almost forgive it's narrative sins.

A-Peele-ing Horror (Us review)

The follow up is one of the hardest things to do, and Jordan Peele had an extraordinarily high bar to reach. The Oscar winning ‘Get Out’ was his debut feature, and his satirical horror as been hailed a modern masterpiece. Thankfully, he didn’t crumble under the pressure, and his second film ‘Us’ confirms that he is a visionary filmmaker who’s just getting started.

Nicolas gets let out of the Cage (Mandy review)

Nicolas Cage has starred in... let's be honest... some terrible films. His intensity as an actor has been parodied for years and he has never quite been perfectly cast for this absolutely terrifying madness that he can portray. This all changed with 2018’s Mandy, a psychedelic action horror film. This movie can be summed up very simply; if you’ve ever wanted to see Nicolas Cage light a cigarette using the flame from a burning severed head, then it’s finally here to see.

School of the Dead (Slaughterhouse Rulez review)

Simon Pegg and Nick Frost are back together again! While only playing supporting roles on screen, Pegg and Frost are also Executive Producers on this debut film for their Production Company ‘Stolen Picture’. It’s clear why they chose this project. Owing the start of their career to Shaun of The Dead, Slaughterhouse Rulez echoes the British Horror Comedy roots they bloomed in. While this film never reaches the dizzying heights of the 'Cornetto' Trilogy, it could definitely qualify for the ‘Aldi Own Brand Ice Cream Cone' Trilogy.

Revenge of the slimey T-1000 (Venom review)

Lady Gaga fans have been receiving backlash this week after they allegedly began writing fake Venom reviews to persuade people to instead watch Lady Gaga’s film A Star is Born. I must admit that after seeing both films, I don’t necessarily disagree with them, as I’d much rather people see a genuine masterclass in filmmaking rather than watch this poor messy excuse for a superhero movie.

Family horror film ticks along quite nicely (The House with a Clock in Its Walls review)

Based on the 1973 kids book, The House with a Clock in Its Walls is Eli Roth’s first step into family film territory, having made predominantly gory horror films up to this point. While his knowledge of horror works wonders in casting a darkness to this family scare fest, the film is flawed by an ever-growing silliness and a lack of confidence in its source material.